How (and Why) an Organization Goes from 3 Appeals to 9 Appeals

Appeal

Organizations that send out nine appeals a year weren’t born that way. 

They started with one appeal per year, and grew from there.

Organizations that grow in this way tend to follow a process. I’ve put the following graphic together to help illustrate the process, and I’ll put the lessons from each year below the graphic.

Click on the image to see a larger version

Year 1

This nonprofit has three different programs. Each appeal talks about all three of their programs.   

Year 2

The organization decides to focus their appeals more, so each appeal focuses only on one program.  And they make the changes in wording needed so that the funds raised from each appeal are undesignated.

They notice that the appeal about one of the programs raises more money than any appeal they’ve ever sent.  And they notice that, in total, they raise more through the mail than ever before.

Year 3

They replace the worst-performing appeal with a new version of their best-performing appeal.    

Internal stakeholders are concerned that one program is no longer mentioned, and one program has two appeals about it.  However, the organization raises more through the mail than ever before.

Year 4

Emboldened by how much money they are raising, they add two new appeals. One is focused on the program that raises the most, and one appeal is focused on the program that raises the second-most.

Internal stakeholders are convinced that “donor fatigue” is imminent.  However, all appeals continue to do very well.  The organization raises more through the mail than ever before, and notice that their overall donor retention rate has increased.

Year 5

They add two more appeals, for a total of seven. 

They notice, for the first time, that one of the appeals for their most popular program did not raise as much as it had in previous years.

The organization is concerned about that particular appeal, but they are not concerned about their overall program because they are raising more than they ever have before, and donor retention continues to improve.

Year 6

They add two more appeals, for a total of nine appeals. Of the two new appeals, one is a completely new appeal and one is about their second-most popular program.

Additionally, they pay particular attention to the appeal that didn’t work well the previous year. They find that its message veered off-topic, so they revise it for this year and it works great again.

The Process

Going from one appeal to nine appeals is a process. The same is true for fundraising emails.

And of course, as an organization goes through this process it should also be Reporting to its donors, use segmentation, have a Major Donor program, etc.

And the organization itself changes – the Development Department gets bigger, maybe an agency gets hired. 

But it’s just step-by-step growth. This is a well-known, proven path

And the results are clear.  Look at how many more dollar signs there are in Year 6 than in Year 1. That organization has meaningfully increased how much good it can do.

It’s also made the organization safer; if one appeal doesn’t work well, it’s insulated by several other appeals.

And it made the organization stronger – the increased volume of communication led to increased donor retention. They keep more of their donors year-over-year than they used to.

I’d call that a big win!

Fast, Bad and Wrong

I learned this writing tactic from a podcast, and hope it’s as helpful to you as it has been to me:

If you can’t get started writing something – or if you get stuck – just concentrate on writing fast, bad, and wrong. 

The acronym for this is “FBR.”  Even the acronym is wrong!

From the podcast:

“Write fast, write bad, and write wrong. Terrible style, terrible grammar, terrible word choice, wrong facts, and that liberates you.  And don’t stop and backtrack, because every time you stop, it’s like a car going down the highway – it’s easy to stop, but then you have to spend all this fuel to get back up to speed, and you might not get there.”

Here’s what I do: just start writing, and then just keep going. 

You can describe what you are trying to write.  You can get a few stray thoughts out of your head.  You can write the end before the middle.

But don’t edit now.  Just keep going.  The magic happens after you’ve been writing for a moment or three. 

All the sudden, a helpful thought occurs.  Then a sentence arrives.  Before you know it, a pretty good paragraph just happened.

That will happen a few more times. 

Then you have enough of those to where you know the rough structure of whatever you’re writing. 

And once you know the main ideas and the structure, the rest is connective tissue. 

Then go back and edit out the junk that helped you get there. 

FBR works for emails to co-workers, too. 

Here’s something crazy; it works for making plans.  I can’t tell you how many times I’ve sat down with teammates and clients to figure something out.  If we’re not getting anywhere, and I have a vaguest sense of an idea, I just say that I have an FBR plan to throw out to get us started. More often than you’d think, a great plan gets iterated out of the mud I threw on the wall. 

The FBR approach removes the fear from taking the first step because it lowers the stakes.  And the second and third steps are always easier than the first.      

The next time you’re writing a piece of fundraising and you’re stuck, think FBR, get started, and keep going.  You, your beneficiaries, and your donors will be glad you did! 

“Donor Pointer”

Someone called me a “donor-whisperer” last week.

While I was complimented, that term has always felt a little… off… and I finally figured out why. 

A “whisperer” sounds like it’s an innate skill.  It sounds like a talent that a person was born with, that they probably can’t teach, for something that very few people can do. 

Being a “whisperer” also seems a little manipulative, like you’re using a talent to make people do something they didn’t want to do.

None of those things are true.

What I do in fundraising is teachable, and almost anyone can do it.

Instead of “whisperer,” the term I’d use is “pointer.” 

Because what I do is point out things and let donors react.

I help organizations point out things that are happening in the world. I help organizations point out the concrete ways a donor can change the world by giving to them. I help organizations point out the concrete ways the donor has changed the world by giving to them. 

There’s no manipulation.  Everything is true.  There’s no secret skill.  It’s just a series of choices for what to point at.

Your fundraising can point at what donors are most interested in… or not. How donors react is up to them. (Because remember: fundraising doesn’t create tension in donors, it reveals tension they already hold.)

Ultimately, every post on this blog is an attempt to share what we’ve learned about what to point your donors’ attention towards if you’d like to raise more money and do more good. It’s a learnable skill and you can do it.  

How to Write As If You’re Talking to One Person

Write

Experienced copywriters say things like this all the time:

“The best fundraising sounds like it’s from one person to one person.”

But how do you write fundraising and make it sound like you’re talking to one person?

Here’s how. The following are the ideas I have in my head as I create fundraising materials. One or all of them should help you!

Have One Person in Mind

Most of your donors will have several common traits. You can create a fictional person, imbue them with the traits your donors have, and write your letters/emails/newsletters to that person.

At my first fundraising job, there was a cardboard cutout of an older woman right inside the front door. We were instructed to write all our letters to her.

The fancy marketing word for this is “persona.” Large nonprofits with lots of donors have multiple personas; personas for online donors, personas for major donors, personas for event participants, etc.

The point is the same: visualize who you are writing to and then write to that one person.

Watch Your Plurals

If you’re writing to one person, you don’t use the plural to refer to him or her.

So don’t use plurals like these in your fundraising writing:

  • “Dear Friends,”
  • “All of your gifts…” (which doesn’t make sense for a donor who has only given one gift)
  • “Thank you to everyone who…”

What you want to watch out for is anything that makes the reader think, “Oh, I thought this thing I’m reading was to me, but it turns out it’s to everybody.”

Use the Donor’s Name

Merge in the donor’s name. It’s commonplace to merge the donor’s name in the salutation, and it’s a pro move to merge their name in the letter itself.

For instance, if there’s a paragraph I particularly want the donor to read, I often use the donor’s name as the first word in a paragraph.

People are trained from birth to pay attention to what’s said immediately after their name. Use that to your advantage!

Use the Word ‘You’

This is the obvious one. Second only to a person’s name, the word “you” gets people’s attention.

But there’s another reason “you” is so helpful: it transforms a truth about your organization into a personal truth for the donor.

You can FEEL the emotional difference between, “A gift to our organization will fight cancer” and, “your gift will fight cancer.”

I have a general rule of thumb for when I edit fundraising: whenever I see the organization’s name, I try to delete it and replace it with the word “you.” It’s not the right thing to do in all cases, but it’s the right thing to do in most cases.

Use the Language a Donor Would Use

Have you ever been in a conversation with someone who has a stellar vocabulary and kind of shows it off? Or talked to a person who’s an expert in their field and is constantly using jargon and you’re not quite sure what it means?

What’s the result when people like that talk to you? It makes you feel like the person isn’t really talking to you. It makes you feel like they are kind of talking to themselves and people “just like them.”

By using language that insiders value and appreciate, a lot of nonprofits accidentally make their donors feel like outsiders.

But using language that a donor would use crosses the gap to donors, instead of widening the gap.

Think of It This Way

Donors are looking for organizations that make it easy for them to understand what’s going on in the world and how their gift will help.

If you follow these rules, you’ll create fundraising that makes each of your donors think, “Hey, this organization is writing to me.” She’s more likely to feel known, and you’ll make it easy for her to understand what you’re writing about.

And you’ll notice that your fundraising results will tick up meaningfully.

The Dreaded SASA LELE!

Sasa lele

Posting this because it’s fun. And it’s a perfect way to end the recent mini-series of posts about heat maps and first sentences.

I hope it rings true that all of us occasionally write and/or design things that make perfect sense to us… but causes our audience to give a quizzical, “huh?”

I’d describe a SASA LELE as any time internal folks think the writing/design/messaging is communicating well, when it’s actually causing confusion and lowering fundraising results.

Here are two “fundraising SASA LELEs” that I see all the time.

The positive appeal letter that communicates that everything is going great. There are pictures of happy, healthy people. There’s a story about someone who is doing great.

There’s 4 pictures and 500 words communicating that things are going very well… and two sentences asking for support.

SASA LELE! The message most donors receive is that everything is going great and their support is not needed right now.

The other example is the appeal letter that starts off with a Thank You and assumes the donor will keep reading.

But you know from the heat maps that a significant percentage of donors will only read the first part… think the letter is some sort of thank you note… remember that they have a bunch of other mail and bills to go through… and put the letter in the recycling.

SASA LELE!

And here’s a “hot take” for you – SASA LELE does more actual damage to organizations’ fundraising than the mythical “donor fatigue” ever has.

In your direct response fundraising, every word you write and every design choice you make needs to be with the purpose of helping that piece of communication do its one job.

So be clear. Get right to the point. Don’t be conceptual.

Any time you find yourself working on a piece of fundraising where donors need to understand the gist of it at a glance, work like crazy to make it clear, and beware SASA LELE!

Six Tips for the First Sentence of Your Next Thank You/Receipt Letter

Heat Map

How you write the first sentence of your receipt letter (or autoreply email) makes a great deal of difference for whether your donor keeps reading… or not.

Let me give you five tips we live by at Better Fundraising.

Be Direct

The more direct and “to the point” you can be, the better. Here are two first sentences that I use all the time:

“Thank you for your generous gift of [GiftAmt]!”

“You are so generous, thank you!”

Using your first sentence to “send the main message” is an effective tactic in your donor communications. Your donor doesn’t have to read any further and she’s already received the message you’re trying to send.

Short and sweet

Think of the first sentence as the “on-ramp” to the rest of your note or letter. If the on-ramp is easy, your donor is likely to keep reading.

If the on-ramp sentence is long, with lots of clauses or jargon, your donor is less likely to keep reading.

Share the Outcome

Another powerful idea is to share the outcome of the donor’s gift. This isn’t always possible, but here are some examples:

“Thank you for your gift to put on this fall’s exhibit.”

“Thank you for your poverty-fighting gift!”

“Thank you for your generosity, your gift will fund vital research!”

It’s great if you can thank your donor and give her a sense of what her gift will accomplish – in one short sentence.

Start with the Beneficiaries

It’s always a good idea to mention the people or thing your organization serves! This results in first sentences like this:

“Thank you for your gift to protect endangered wetlands!”

“Thank you for your gift to help the children!”

“Thank you for preserving heirloom quilts for quilt-lovers to see!”

Use ‘You’

The word “you” is magical at getting your reader’s attention. It’s also a good way to signal to the donor that this piece of communication is about them – that they should be interested in this and want to read it.

“Your generosity amazes me!”

Use the word “you” early and often.

It’s Not About Your Organization

One of the secondary benefits of using the word “you” is that you’re not writing your organization’s name, or the words “we” or “us.”

There’s nothing intrinsically wrong with those words or your organization’s name. Just remember that the best Thank You’s tend to be about the donor and their gift – and not about the organization.

Final Thought

You want to write something that your donor is interested in reading, and makes her want to keep reading.

If it helps, here’s an example of what not to do. It’s my all-time favorite bad opening line of a thank you / receipt letter:

“Recently, we returned from an all-staff retreat.”

Ask yourself, why would a donor want to keep reading?

If you want your donors to keep reading, follow the guidelines above. Your Thank You’s and Receipt Letters will improve in no time!

What a Heat Map Should Teach You About Thanking

Heat Map

I want you to think about the graphic above the next time you look at your Thank You/Receipt letter.

Why?  Because let’s make sure you’re not accidentally hiding the main message you’re trying to send a donor right after they’ve given you a gift!    

Heat Maps

The graphic above is what’s called a “heat map.”  It tracks where reader’s eyes looked as they read this piece of direct mail fundraising.  It also tracks the order in which the Reader looked at each area.

Not all heat maps look the same, but they generally look like this one.

And if you look at any of them, you quickly see that donors tend to read the beginnings and endings of your messages, and not much in between. 

A Question for You

I want you to visualize your organization’s Receipt letters and Thank You letters.  Better yet, print them out and put them on your desk.

With this heat map in mind, do your receipt letters and Thank You letters actually communicate what you are trying to communicate?

Is it easy for a donor to read that she is being thanked, and that your organization is full of gratitude for her?

Or have you accidentally hidden the main message in places where your donors are less likely to read them?

My advice is to make sure that there is a clear Thank You in two of the following three places:

  • The first sentence
  • The last sentence
  • In the upper right corner

Why two of the three?  To increase the chances that a “skimmer” will read one of them.  Because you don’t know what part a donor is going to read!

Your Assignment

I could go deeper on all this.  But I’d rather you spend your time looking at your Thank You and Receipt letters.  Same thing goes for the email versions.

Make sure that your message of gratitude is easily seen at just a glance – because that’s often all you get! 

Does the rest of your message need to be well-written?  Of course (I talk about it in this post).  But a surprising amount of Thank You success is dependent on getting the top and bottom correct!

An Unfortunate Thanking Adventure in Three Paragraphs

Today I want to share an example of an unfortunate Thanking experience that happened to me.

It’s from a small, under-staffed organization. I’m not throwing rocks here – I love the organization, we’ll donate again, and I know full well the challenges of doing all this stuff well at a small shop.

But it’s a real-life example of how a Thank You can get off-target in just three short paragraphs.

The Salutation

“Dear Stephen.”

Ouch. Not a great start to misspell my name (especially after spelling it correctly in my email address), but we’ve all done it.

The First Paragraph

“Your generous donation is greatly appreciated!”

That’s a great first paragraph. It starts with the word “you.” It’s short and easy to understand. The exclamation point makes it feel human, not corporate. Great stuff.

The Second Paragraph

“You are cordially invited [Organization Name]’s Giving Circle and gift a free membership to the [Organization Name]’s Health Advisor Training Program to anyone of your choosing. You can find an explanation of the giving circle here: https://organizationname.org/join-our-giving-circle/”

This is where this short Thank You email loses track of its job, its purpose. A Thank You should be about the donor and the gift they just gave, not about the organization and the donor’s next gift.

A one-sentence Thank You followed by an invitation to give more is not what I’d recommend when thanking a donor for a gift.

The Third Paragraph

“Please find attached a personal thank you from [Name], Executive Director of [Organization Name]. If you would like to receive a magnet ([Organization Name]’s logo) in the mail, please reply to this email with your physical address. Again, thank you for your support!”

As a donor, I wondered why the Executive Director didn’t send their Thank You to me directly. The subtle message to the donor in a situation like this is that “I’m not important enough to hear directly from the highest-ranking person.”

As a fundraising professional, I marveled at the email bringing up another thing for me to do. If you’re scoring at home, that’s three (join the giving circle, give a free membership to something I’ve never heard of, and get a magnet), which is two too many.

The Lessons

There’s a lot going on in this little three-paragraph Thank you. But here are three lessons you can use to make sure your Thank You’s are on target:

  • I said it earlier, but it bears repeating: a Thank You should be about the donor and the gift they just gave, not about the organization and the donor’s next gift. Use your Thank You’s to make your donor feel appreciated and special. Save any overt talk of further giving until later communications.
  • Keep it simple. Sharing a way a donor can get more involved is a great idea – the magnet in this email is a nice touch. But giving a donor three different things is too many. There should never be more than one.
  • Save it for later. There’s a lot of great content in this email; it’s just too much for one email. Save some things for later (or your New Donor Welcome stream), and use them as reasons to contact the donor again. For instance, this organization could send me a separate email about the free membership that I can give.

If you want to go deeper, I recently shared a free template for a Thank You/Receipt letter, and an 8-minute video walking you through the template, over at Work Less Raise More.

The Thank You section of that letter is a great example of a short, powerful Thank You.

Good luck with your Thank Yous!

How to Write a Successful Appeal for Ongoing Programs

Focus

I get asked some form of this question all the time:

“How do I do an effective appeal letter for a program that runs all year long? We’re not one of those organizations that has One Big Need, like ‘meals on Thanksgiving’ or ‘summer camp’ or a new art exhibit. We do the same thing all year long…”

The answer is pretty simple: narrow your focus on what’s happening at your organization about 6 weeks after you mail your appeal.

Let me give you two examples of how this works…

Ongoing Program #1

Say you’re a children’s museum that fosters kids’ interest in the arts. And every month, local schools send their kids to the museum for field trips.

Narrow your focus and think about what will be needed about 6 weeks after you send your appeal. You can then send an appeal in January that says something like this:

“Your gift today will introduce a child to the arts! This March we have several bus-loads of children coming from local schools. Will you send a gift today to introduce one child to the arts by funding their visit to the museum?”

By narrowing the focus of the appeal onto a specific period, you’ve made it easier for the donor to understand and visualize how her gift will help. And any time you do that, you tend to raise more money.

Ongoing Program #2

Say you provide food and shelter for refugees fleeing violence. Narrow your focus and think about what aid you’ll be providing about 6 weeks after you send your appeal.

Your January appeal could say something like:

“Your help is needed to provide food and shelter for refugees in March. Shelter is so important during the rainy season. Will you send a gift today to provide food and shelter for one family?”

Again, by narrowing the focus you’ve made it easier for your donor to understand what’s happening at the nonprofit. Additionally, you’ve also added a dose of urgency to the appeal. In a clear, non-alarmist way, you’ve made it clear to your donor that these expenses are real and they are coming.

You’ll be thrilled with how your donors respond.

For the fundraising nerds, there are two fundraising principles at work here:

  1. Break your work into smaller chunks. In your direct response fundraising (appeals, e-appeals, newsletters), you’ll raise more money if you ask donors to help fund small, specific parts of your work instead of asking them to fund all your work.
  2. Ask before the need happens. You’ll raise more money if you ask donors to help before something happens, as opposed to asking them to help you “continue to” provide your services.

If raising funds for an ongoing program or service is something your organization struggles with, narrow your focus. Don’t ask donors to fund the whole program. Ask them to fund what’s happening a little more than a month from when you send your letter.

You’ll have made your appeal more timely, relevant, and easy to understand – all of which are keys to successful appeal letters.